Aaron Copland Music For A Great City Download

From Wikipedia, the free encyclopedia

Jump to navigation Jump to search

Wikipedia listing article

This is a list of compositions by Aaron Copland (1900–1990) in chronological guild of limerick:

Earlier 1920 [edit]

  • Night for voice (1918)
  • A Summertime Holiday for voice (1918)
  • My Heart is in the Due east for vocalism (1918)
  • Iii Sonnets for piano (1919)
  • My Caput is in the Westward for voice (1919)

1920–1929 [edit]

  • Old Poem for vocalization (1920)
  • The True cat and the Mouse for piano (1920)
  • Pastorale for voice (1921)
  • Honkytonk Blues (1921)
  • Three Moods for piano (1921)
  • Four Motets for mixed voices (1921)
    • Help united states, O Lord
    • Sing ye Praises to our Male monarch
    • Have Mercy on us, O My Lord
    • Thou, O Jehovah, Abideth Forever
  • Piano Sonata (No. 1) in Thousand Major (1921)
  • Petit Portrait for piano (1921)
  • Solitary for vox (1922)
  • Passacaglia for piano (1922)
  • Cortege Macabre for orchestra (1923)
  • Equally It Fell Upon a Day for phonation, flute, and clarinet (1923)
  • Movement for String Quartet (1924)
  • Symphony for organ and orchestra (1924)
  • Grohg; ballet (1925, revised 1932)
  • Music for the Theatre for orchestra (1925)
  • Two Choruses ("The House on the Hill," "An Immortality") for chorus (1925)
  • Pianoforte Concerto for piano and orchestra (1926)
  • 2 Pieces for violin and piano (1926)
  • Sentimental Melody for pianoforte (1926)
  • Four Piano Dejection for piano (1926–48)
  • Poet's Song for voice and piano (1927)
  • Vocalise No.i for vox (1928)
  • Symphony No.ane for orchestra (1928)
  • Two Pieces for String Quartet (1928)
  • Two Pieces for String Orchestra (1928)
  • Dance Symphony for orchestra (1929)
  • Symphonic Ode for orchestra (1929, revised in 1955)
  • Vitebsk: Study on a Jewish Theme for violin, violoncello, and piano (1929)
  • Shall we gather by the river (1929)

1930–1939 [edit]

  • Piano Variations (1930)
  • Phenomenon at Verdun (1931)
  • Elegies for violin and viola (1932), later partially used as "Subjective" for Statements
  • Short Symphony for orchestra (1933)
  • Beloved your neighbour as your self
  • Statements for orchestra (1934)
  • Into the Streets May First for chorus (1934)
  • What Exercise Nosotros Institute? for chorus (1935)
  • Sunday Afternoon Music for piano (1935)
  • The Immature Pioneers for piano (1935)
  • El Salón México for orchestra (1936)
  • Sextet for clarinet, two violins, viola, violoncello, and pianoforte (1937)
  • The 2d Hurricane; loftier school opera (1937)
  • Prairie Journal, originally called Music for Radio for orchestra (1937)
  • Flit and Celebration for concert band (1938)
  • Billy the Child; ballet (1938)
  • An Outdoor Overture for orchestra (1938)
  • Lark for chorus (1938)
  • The City; film score (1939)
  • Of Mice and Men; film score (1939)
  • From Sorcery to Science; incidental music for puppet play (1939)

1940–1949 [edit]

  • Quiet City for trumpet, cor anglais, and string orchestra (1940)
  • Our Boondocks; film score (1940)
  • John Henry for orchestra (1940, revised in 1952)
  • Piano Sonata (No. 2, 1941)
  • Episode for organ (1941)
  • Arrangement of An Outdoor Overture for concert band (1941)
  • Lincoln Portrait for narrator and orchestra (1942)
  • System of Lincoln Portrait for concert band (1942)
  • Rodeo; ballet (1942)
  • Fanfare for the Mutual Man for brass and percussion (1942)
  • Las Agachadas for chorus (1942)
  • Music for the Movies for orchestra (1942) (New England countryside, Barley wagons, Sunday traffic, The story of Grovers Corners, Threshing machines)
  • Danzón cubano for 2 pianos (1942)
  • Arrangement of Danzón cubano for orchestra (1946)
  • Song of the Guerillas for orchestra (1943)
  • Sonata for Violin (or Clarinet) and Pianoforte (1943)
  • The North Star; soundtrack (1943)
  • Appalachian Spring; ballet (1944)
  • Arrangement of Appalachian Leap for orchestra (1944)
  • Letter from Abode for orchestra (1944, revised in 1962)
  • Midday Thoughts for piano (1944/82)
  • Jubilee Variations for orchestra (1945)
  • The Cummington Story; film score (1945)
  • Symphony No. iii for orchestra (1946)
  • In the Commencement for mezzo-soprano and chorus (1947)
  • Midsummer Nocturne for piano (1947/77)
  • The Carmine Pony; film score (1948)
  • Clarinet Concerto for clarinet and string orchestra with harp and piano (1948)
  • The Heiress; soundtrack (1948)
  • Preamble for a Solemn Occasion for orchestra (1949)

1950–1959 [edit]

  • Quartet for violin, viola, violoncello, and pianoforte (1950)
  • Twelve Poems of Emily Dickinson for medium voice and pianoforte (1950)
    1. Nature, the gentlest mother
    2. There came a wind similar a bugle
    3. Why do they shut me out of Sky
    4. The world feels dusty
    5. Center, we will forget him
    6. Dear March, come in!
    7. Slumber is supposed to be
    8. When they come back
    9. I felt a funeral in my brain
    10. I've heard an organ talk sometimes
    11. Going to Sky!
    12. The Chariot.
  • Old American Songs First ready for voice and piano (also adapted for voice and orchestra) (1950)
    1. The Boatmen's Dance (minstrel song from 1843)
    2. The Dodger (campaign vocal)
    3. Long Fourth dimension Ago (ballad)
    4. Simple Gifts (Shaker song)
    5. I Bought Me a Cat (children's song)
  • Old American Songs 2nd set for vocalisation and pianoforte (as well adjusted for voice and orchestra) (1952)
    1. The Little Horses (lullaby)
    2. Zion's Walls (revivalist song)
    3. The Golden Willow Tree (Anglo-American ballad)
    4. At the River (hymn tune)
    5. Ching-A-Ring Chaw (minstrel song)
  • Arrangement of Preamble for a Solemn Occasion for organ (1953)
  • Dirge in the Woods for vocalism and piano (1954)
  • The Tender Land; opera (1954)
  • Canticle of Freedom for chorus and orchestra (1955)
  • Variations on a Shaker Tune for concert band (1956)
  • Fantasy for piano (1955–57)
  • Orchestral Variations (organization of Piano Variations) for orchestra (1957)
  • Organization of The Tender Land for orchestra (1957)
  • The World of Nick Adams; soundtrack (1957)
  • Dance Panels, ballet (1959, revised in 1962)

1960–1969 [edit]

  • Nonet for 3 violins, 3 violas, and 3 cellos (1960)
  • Something Wild; soundtrack (1960)
  • Connotations for orchestra (1961–62)
  • Down a Country Lane for piano (1962)
  • Danza de Jalisco (in Latin American Sketches) for two pianos (1963)
  • Organisation of Downward a State Lane for orchestra (1964)
  • Emblems for concert ring (1964); orchestral transcription D. Wilson Ochoa (2006) [1]
  • Music for a Neat Urban center for orchestra (1964)
  • In Evening Air for piano (1966)
  • Signature: C B South Playhouse [Television set theme] for orchestra (1966)
  • Inscape for orchestra (1967)
  • Arrangement of Variations on a Shaker Melody for orchestra (1967)
  • Inaugural Fanfare for orchestra (1969)
  • Happy Anniversary for orchestra (1969)

1970–1990 [edit]

  • Eight Poems of Emily Dickinson (1958-70) (orchestral arrangement of function of Twelve Poems of Emily Dickinson)
  • Duo for flute and pianoforte (1970–71)
  • Threnody No.1: In Memoriam Igor Stravinsky for flute, violin, viola, and cello (1971)
  • Three Latin American Sketches for orchestra (1972)
  • Dark Thoughts: Homage to Ives for piano (1972)
  • Threnody No.2: In Memoriam Beatrice Cunningham for flute, violin, viola, and cello (1973)
  • Midday Thoughts for piano (1944/82)
  • Proclamation for pianoforte (1973/82)
  • Proclamation for orchestra (orchestrated 1985 by Phillip Ramey)

References [edit]

  1. ^ "Aaron Copland (D. Wilson Ochoa) - Emblems". www.boosey.com.

DOWNLOAD HERE

Posted by: gelbtherrielf.blogspot.com